Bangladesh Film Development Corporation, better known as 'FDC', started functioning (in the late '50s) with the most modern filmmaking facilities available. Shortly afterwards, FDC added latest equipments like BNC camera with accessories; latest Arriflex camera with all type of lenses; lighting equipments, ark lamps, dollies, trolleys; sound recording equipments; dialogue recording for indoor and outdoor shooting; editing machine; Oxberry optical equipment for special effects, animation stand; black and white as well as color film processing machine etc.
Bangladesh Film Development Corporation, better known as 'FDC',
started functioning (in the late '50s) with the most modern filmmaking
facilities available. Shortly afterwards, FDC added latest equipments
like BNC camera with accessories; latest Arriflex camera with all type
of lenses; lighting equipments, ark lamps, dollies, trolleys; sound
recording equipments; dialogue recording for indoor and outdoor
shooting; editing machine; Oxberry optical equipment for special
effects, animation stand; black and white as well as color film
processing machine etc.
When the colour lab was completed, Zahir
Raihan produced the first colour film of erstwhile Pakistan, “Sangam”,
which I had the honour of photographing, as well as the first
cinemascope film, “Bahana”.
It was the golden age of our film
industry. Now what we see of FDC are huge buildings, which they call
“shooting floors”! It spends money unnecessarily without much shooting
facilities for a cinematographer. Two sound complexes have been
constructed, spending crores of public money. The equipments have been
unusable for more than a year and need repair.
FDC demolished
the old sound complex and built a new one, named it Digital Sound
Complex, even though the older building had not been declared unfit or
unusable. The old complex consisted of a preview theatre, sound
recording studio, dubbing and mixing facilities etc. It could have been
renovated and new equipment could have been installed there.
The
old sound complex had been constructed during the tenure of a Managing
Director, who then imported very expensive recording equipment. The
equipment arrived before completion of construction of the sound
complex, and was kept in the corridors of the administrative building
for two years! When the equipment was finally opened to be installed,
many vital electronic parts had been damaged due to bad storage
conditions. They are still lying in the building unused, uncared for
and unrepaired.
The new Digital Sound Complex with its state of
the art equipment faced the same fate. The building is under lock and
key and all equipment unusable. Sadly, both sound complexes are like
graveyards. A few years ago, a high government official wanted to turn
one of the complexes into a museum. The reality is that it already is a
museum! It is full of old and unusable equipments, broken lights,
trolleys and dollies etc. There are many unused expensive equipment
too.
FDC is still buying expensive and sophisticated laboratory
equipments one after another, but unable to produce quality prints.
Producers have to go to India to get quality prints, which is very
expensive. New and fancy shooting floors have been constructed without
proper logistical support for technicians.
The writer is a noted Bangladeshi cinematographer.
